All About Green Tara

Mother Tara sincerely and with strong faith, will protect us from all obstacles and fulfill all our wishes. Since she is a wisdom Buddha, and since she is a manifestation of the completely purified wind element, Tara is able to help us very quickly.

Tara is our common mother, our Holy Mother. When we are young we turn to our worldly mother for help. She protects us from immediate dangers, provides us with all our temporal needs, and guides and encourages us in our learning and personal and spiritual development.

Green Tara as a Meditation Deity

Tara is a meditation deity whose practice is used by practitioners of the Tibetan branch of Vajrayana Buddhism to develop certain inner qualities and understand outer, inner, and secret teachings about compassion and emptiness. Tara may more properly be understood as different aspects of the same quality, as bodhisattvas are often considered metaphors for Buddhist virtues.

Green Tara is one of the most beloved figures in Tibetan Buddhism. As a bodhisattva, she helps people pass beyond the troubles of earthly existence and move toward enlightenment. She also protects people from numerous worldly dangers. The loving expression on the sculpture’s face embodies Tara’s maternal compassion.

‘Tara’ means ‘Rescuer’. She is so-called because she rescues us from the eight outer fears i.e the fears of lions, elephants, fire, snakes, thieves, water, bondage, and evil spirits, and from the eight inner fears i.e he fears of pride, ignorance, anger, jealousy, wrong views, attachment, miserliness, and deluded doubts.

The mantra of Green Tara

The mantra of Green Tara is

OM TARE TUTTARE TURE SOHA.

Green Tara, A description of the Devine

In the sadhana, she appears seated on a pale-blue lotus and a moon mat. She is described as Green in color. She sits with her left leg drawn up in meditation posture, and her right leg extended, the foot resting on another small pale-blue lotus and moon mat ready to move into action to assist.

Her right hand is on her right knee, palm turned outwards, in the mudra of supreme giving, holding a crossed vajra. Her left hand is in front of her heart, ringing a silver vajra-bell. Tara’s head and body are surrounded by auras of light. She is young, beautiful, and smiling compassionately.

Symbolic Significance of Green Tara

Tara is in the nature of green light, with one face and two arms. Her face is very peaceful, with a slight smile. Her hair is very dark, half tied up and half loose, and decorated with an Utpala flower at the crown.

Tara is adorned with jewel ornaments of the necklace, bracelets, armlets, anklets, and so on. Her eyes, very loving and compassionate, are not opened wide but are fine and a little rounded.

Tara’s eyes express compassion for you, like the look of loving kindness a mother gives her beloved only child.

Tara’s right hand, holding the stem of an Utpala flower, is in the mudra of granting sublime realizations. Her left-hand holds the stem of another Utpala flower, with three fingers standing upright to signify refuge in Buddha, Dharma, and Sangha.

With fully developed breasts, Tara is adorned with a jewel necklace and also with jewel garlands and various scarves. Her right leg is stretched out, and the left one contracted. Behind her is a moon disc.

Green Tara Mantra and meditation

Tara is adorned with the complete holy signs and exemplifications of a Buddha.

On her forehead is a white OM, the essence of the vajra holy body; at her neck, a red AH, essence of vajra holy speech; and at her heart, a blue HUNG, the essence of the vajra holy mind.

White nectar beams come from the OM, strike your forehead, and enter inside you to purify all the obscurations and negative karmas you have accumulated with the body from beginningless rebirths until now.

From the AH at Tara’s throat, red nectar beams are emitted and strike your own throat; all obscurations and negative karmas accumulated with your speech are completely purified.

Then, from Tara’s heart syllable HUNG, blue nectar beams are emitted and enter your heart; all the obscurations and negative karmas accumulated with your mind from beginningless rebirths until now are purified.

Out of compassion for you and all living beings, Mother Tara has purified you.

Concentrate on this as you recite the mantra: OM TARE TUTTARE TURE SOHA.

The detailed symbolism of Green Tara

Tara is seated upon a cushion, in this image you can see just a little of the white cushion She’s seated upon. That’s what’s called the lunar disk, the moon symbolizing pacification, peacefulness. So her nature is peaceful She brings peace and is by nature peaceful.

That is on top of a lotus, She’s seated on a large lotus blossom. The lotus here symbolizes Her freedom from any defilement, just as the lotus rises out of the dirt and mud but the blossom itself is pure and undefiled, so Green Tara arises in the world but is completely undefiled by the world.

The symbolism of the figure is quite extensive, but to say just briefly a few of the things, you can see that she’s not seated in the full lotus position, but rather has the right leg extended and the left held in.

The extension of the right indicates that she is pressing down on something with her right foot, and that means that she’s actively holding down or subduing all untoward phenomena, that is, anything that could hinder, interfere with, or cause a problem.

In particular, there are lists of the eight great fears and the sixteen calamities, the things which She is able to overcome. The extension of the right foot indicates the reaching out to hold down and suppress such obstacles.

The left foot is held inward, which means the holding inward of the two great assemblages, which are merit and wisdom these are the things which we have to accomplish and always keep hold of the accumulation of merit through all manner of good deeds, proper activities, or proper Dharma practice, and the assemblage of wisdom, which is the accomplishment of all aspects of wisdom.

This is symbolized by the left foot being held inward. The right hand is extended with the palm outward, in the gesture of giving called the Dhana mudra, the gesture of giving charity, which in this case is the great charity of the two types of accomplishment, called the ordinary and the sublime accomplishments.

Spiritual accomplishments of Green Tara

The ordinary is the eight great siddhis, the high spiritual accomplishments of those who engage in proper meditation to attain spiritual status, spiritual accomplishment.

Those are called the ordinary siddhis, ordinary accomplishments. She bestows those, and in particular, she bestows the sublime accomplishment, which is the attainment of ultimate, perfect enlightenment.

The left hand is held up, again with the palm facing outward, and grasping the lotus. This is called the Kachin Chagya mudra, the “gesture of refuge”.

It is granting refuge from all of those things which would obstruct or cause trouble, and here again, we have the lists of the eight great terrors, which are fires, poisons, snakes, and things like that; anything that could harm you or cause you trouble she is granting protection from.

There are two types of “halos”. One is the halo around Her entire body, and that’s the yellow or orange, the large one.

We should understand when we look at the picture that the halos there are the representations that have been given by the artist of the, you could say, aura.

The aura is not something that you can really paint. It’s a radiance, a powerful, energetic radiance that comes forth as if it’s a halo-like that. So we should understand it not as something we can reach out and touch, but rather something which is like rays of light, invisible like that.

And the one around the body, the larger one, shows the perfect awareness, the state of perfect supreme awareness or highest wisdom, which gives forth this radiance all around her whole body.

Lotus and Green Tara

There are several lotuses here, and the type of lotus is called “Utpala”. Utpala is a type of lotus, and it’s a blue or greenish lotus. The lotus she’s seated on is that type, it’s an Utpala. There are two other lotuses.

If you look closely you can see that between her thumb and forefinger of the right hand and then also held in the left hand there are stems of a flower.

That flower is the Utpala, the blue or green lotus. The symbolism there is of the active principle of the fully-enlightened being, that is the enlightened activity of the enlightened being or the Buddha, which accomplishes all of the tasks of the Buddha to help living beings.

Jewelry and Green Tara

She has various types of bodily ornaments. These are various types of metal or precious stones, jewelry all around on different parts of her body.

These are precious jewels. The bracelet, armlets going around the upper arm, necklace, earrings, the long necklace there’s a short necklace that goes around the neck and a long one that goes down the front of her body anklets, and various other things: these symbolize her status as being a diving being, in particular, the three bodies of the Buddha, Dharmakaya, Sambhogakaya, Nirmanakaya, the second being the Sambhogakaya, the body of perfect enjoyment, the deities who possess this body of perfect enjoyment always have these types of ornaments that indicate their status as that type of enlightened being enjoying all of the powers and prerogatives of the heavens.

So the importance of this is that she is possessed of the great power of the divine being, the great opulence of the diving being, and has all of these jewels, valuable things, with which she can clear away the miseries of deprivation or poverty of all living beings.

We see that on the crown of her head she has a crown ornament that looks like a hat, and in the very center of that, there’s a red figure. That red figure is the Buddha Amitabha, who’s always red in color, and it’s at the very center of the reddish halo around her head, it’s the red figure Amitabha.

Green Tara in lotus lineage

This indicates her affiliation with the lotus lineage, in other words, she’s a part of this lotus lineage. The Buddha of the lotus lineage is Amitabha, or in Tibetan Amway Taytay, infinite light. She is, again, the representative of that lineage.

There are five lineages of Buddhas. The lotus lineage is just one of these five. The five are always in relation to one another according to the cardinal directions. So there is the lineage of the north, to the east, to the south, to the west, and of the center. Amitabha is the Buddha of the west, associated with the color red and the lotus.

Tara as a saviouress

Tara also embodies many of the qualities of the feminine principle. She is known as the Mother of Mercy and Compassion. She is the source, the female aspect of the universe, which gives birth to warmth, compassion, and relief from bad karma as experienced by ordinary beings in cyclic existence. She engenders, nourishes, smiles at the vitality of creation, and has sympathy for all beings as a mother does for her children.

As Green Tara, she offers succor and protection from all the unfortunate circumstances one can encounter within the samsaric world.

Types of Green Tara

There are 10 different types of green tara. Each Tara is differentiated from the other on the basis of their symbolism, appearance, mudra, and iconography. The following are the types of Green Tara

1. Khadiravam Tara
2. Vasya Tara
3. Arya Tara
4. Mahattari Tara
5. Mahasri Tara
6. Varada Tara
7. Durgottarini Tara
8. Dhanada Tara
9. Jahguli Tara
10. Parnasaban Tara

Khadiravam Tara

Khadiravani Tara is represented in the Sadhansmala as of green color with two hands displaying the varada mudra on the right and the Utasla on the left. She can be identified by the presence of Asokakanta Marici and Ekajata. She bears the image of Amoghaslddhi on her crown.

The iconography of Khadiravani Tara

She is represented standing or seated. It is green in color. The right hand displays the Varada mudra and in her left hand, she holds a half-blown blue lotus. She is accompanied by AsokakantI (Marici) and Seagate.

Sightlines are on the prabhava carrying the lotus in their left hands and the right hand is displaying the Abhaya mudra. A krittimukha maybe is on the top and a short inscription at the bottom.

Vasyatara

Vasyatara has as her characteristic feature the Bhadrasana or the European fashion of sitting. It may be noticed however that she is described as single and as such is not accompanied by any god or goddess.

She is represented with Khadiravani class with attendant Taras.

Iconography of Vasyatara

Vasyatara is represented in the Sadhanamala as seated in the Bhadrasaha. She is of green color with two arms – the right displays the Varada mudra and carrying the Utpala on the left. She bears the image of Amoghasiddhi on the crown.

Aryatara

The characteristic feature of this form of Tara is that she sits in the Ardhaparyahka attitude and like Vasyatara is entirely alone.

It is said that Arya Tara is another name of Vasyatara

The iconography of Arya Tara

She is represented seated alone in the Ardhaparyahka attitude. She is of green color with two arms.

Mahattari Tara

Mahattari Tara may be distinguished by the Vajraparyahka attitude in which she sits, and also by the fact of her being represented without any companion whatsoever. Mahattari Tara is green in color.

Varada Tara

Varada Tara sits m the Ardhaparyanka attitude like Aryatara but she can be easily recognized by the presence of four goddesses Asokakanta Marici, Mahamauri, Ekajata, and Janguli.

Mahasri Tara

Mahasri tara is similar to  Varada Tara. She emanates from the Dhyani Buddha Amoghasiddhi as her color is green.

Iconography of  Mahasri Tara

Mahasri Tara is represented seated on a golden throne covered with many kinds of flowers with one face and two heads displaying the Vyakhyana Mudra. She is decked with ornaments and a crown bearing the image of Amoghasiddhi.

Arya, jahguli is to the left of Mahasri Tara and Asokokanta and Mahamayuri to the right, Ekajata is seated in the ardhan pose and bears an angry face with a swelling abdomen She holds in her two arms the kartri and the kapala and she wears a dress made of tiger skin.

Durgottarini Tara

Durgottarini Tara has a green complexion, the lotus for her seat, and garments of white color; she has four arms and she carries the first pair of hands the noose and the goad, and displays in the second the lotus and the Varada mudra.

Dhanada Tara

Dhandada tara is also known as Wealth Granting Tara.

Her first right hand displays the gesture of ultimate generosity, the second one holds a rosary. Her two left hands hold utpala and book.

She has an animal for her Vahana, is accompanied by eight goddesses originating from the eight syllables of her mantra, and bears the image of Amoghasiddhi on the crown.

She is adorned with silks and jewels and sits in the sattva posture. She is surrounded by eight other Taras of various colors and appearances and the four door-keepers of her palace.

Jahguli

Jahguli emanates from Aksobhya and may have three different colors, yellow, white and green. When green, she is four-armed, and carries the Trisula, the peacock’s feathers and a snake in three hands and exhibits the Abhaya mudra in the fourth.

Parnasaban

Parnasaban has different forms and colors. Some of them are described below:

Green Parnasaban

When Parnasaban is green in color it emanates from Amoghasiddhi.

Yellow Parnasaban

When Parnasaban is in the yellow form it represents Aksobhya.

Parnasaban is generally three-faced and six-armed but may in rare cases, have four arms also. The peculiarity of the green variety is that all three faces depict irritated smiles.

Homage to Green Tara by First Dalai Lama (1391-1474)

On a lotus seat, standing for the realization of voidness,
(You are) the emerald-colored, one-faced, two-armed Lady
In youth’s full bloom, right leg out left drawn in,
Showing the union of wisdom and art – an homage to you!
Like the outstretched branch of the heavenly turquoise tree,
Your supple right-hand makes the boon-granting gesture,
Inviting the wise to a feast of supreme accomplishments,
As if to an entertainment-homage to you!
Your left hand gives us refuge, showing the Three Jewels;
It says, “You people who see a hundred dangers,
Don’t be frightened-I shall swiftly save you!”
Homage to you!
Both hands signal with blue utpala flowers,
“Samsaric beings! Cling not to worldly pleasures.
Enter the great city of liberation!”

Flower-goads prodding us to effort-homage to you!

The mantra of Green Tara with Beautiful music

Mother Tara sincerely and with strong faith, she will protect us from all obstacles and fulfill all our wishes. Since she is a wisdom Buddha, and since she is a manifestation of the completely purified wind element, Tara is able to help us very quickly.

Tara is our common mother, our Holy Mother. When we are young we turn to our worldly mother for help. She protects us from immediate dangers, provides us with all our temporal needs, and guides and encourages us in our learning and personal and spiritual development

Green Tara Antique Thangka Gallery

All thangkas of Green Tara from this section are the collection of the Museum around the world. Most of these thangkas are originated in Tibet in the 16th century.

17th Century Green Tara Thangka

This Green Tara with Amitabha Kurukulle and 1,008 small Tara emanations is handpainted on cotton canvas using Ground Mineral Pigment. This art is a collection of the Rubin Museum of Arts.

Green Tara is depicted as Peaceful in appearance with dark green like emerald. She is holding the stem of pink and orange lotus in the right hand which is resting in the knee performing the generosity mudra.

Her left hand is held to the heart in the mudra of blessing holding the stem of a white lotus which is blossoming at the left ear.

She is adorned with a tiara of gold and jewels, long black hair piled on the top of the head, some falling loose across the shoulders, earrings, necklaces, and bracelets, she wears silk garments of various colors.

In the top of the green Tara, Buddha Amitabha is depicted with rainbow light. He is red in color sitting in vajra posture doing meditation mudra.

Kurukulle is depicted below Green Tara with 1 face and 2 hands. She is holding a bow and arrow in the first pair and a hook and lasso in the second. She is adorned with bone ornaments with a green scarf. She is in a dancing posture on the left leg above a corpse sun and lotus seat wearing a tiger skin. The central Green Tara is surrounded by small 1008 identical small Taras. The right hand of the small Taras is performing the mudra of generosity without a lotus, and the left hand is holding the stem of a lotus blossom to the heart.

The small Taras are framed with an areola and nimbus, alternating in color. Each Tara is sitting above a white flower seat, all neatly arranged in rows.

In each of the four directions are large rainbow spheres containing groups of Taras seated on large pink lotus flowers.

In the sphere above are 47 Taras, below 127 Taras, at the left and right 78 Taras each. 350 Taras occupy the upper sides and 328 the lower sides.

Name	Green Tara
Tibetan Name	སྒྲོལ་མ། སྣང་བརྙན་ཡོངས།
Chinese Name	度母（本尊）（全像）
Origin	China
Date Range	1700 – 1799
Size	153.67×97.79cm
Material	Ground Mineral Pigment on Cotton
Classification	Deity
Gender	Female
Appearance	Peaceful
Collection	Rubin Museum of Art

Buddhist Deity Green Tara

This Green Tara thangka is handpainted on cotton canvas using Ground Mineral Pigment. This art is a collection of the Rubin Museum of Arts.

She is surrounded by various buddhas and bodhisattvas. She is dark green in color. She performs the mudra (gesture) of generosity with the right hand across the knee while holding the stem of a lotus flower. The right is held at the heart in the mudra of blessing also holding a lotus flower stem, blossoming at the upper left side.

She is Adorned with a tiara of gold, earrings, necklaces and bracelets. She wears bright red garments while seated in a relaxed posture with the right leg extended atop a multi-colored lotus seat with a red backrest of swirling designs.

Name	Green Tara
Tibetan Name	སྒྲོལ་མ། སྣང་བརྙན་ཡོངས།
Chinese Name	度母（本尊）（全像）
Origin	Tibet
Date Range	1400 – 1499
Lineage	Nyingma
Size	29.85×25.40cm (11.75x10in)
Material	Ground Mineral Pigment on Cotton
Classification	Deity
Gender	Female
Appearance	Peaceful
Collection	Rubin Museum of Art

Green Tara Buddhist Thangka

This Green Tara thangka is handpainted on cotton canvas using Ground Mineral Pigment. This art is a collection of the Rubin Museum of Arts. She is saviouress from all suffering, the symbol of enlightenment in a female form.

She has one face and two hands. Green Tara is green in color. She performs the mudra (gesture) of generosity with the right hand extended over the knee holding the stem of a lotus flower blossoming by the right ear. Her left handheld to the heart in a mudra of a blessing she holds the stem of a lotus – blossoming to the left side.

She is adorned with gold and jewels in the form of a tiara with five gems, earrings, necklaces, bracelets, and the like. She wears various silks in a variety of colors, orange, yellow, violet, and red. Her right leg extended, resting on a small moon and lotus cushion, and on the left was drawn up. She sits in a relaxed posture on a moon disc and white lotus seat; surrounded by an orange nimbus and red areola.

Name	Green Tara
Tibetan Name	སྒྲོལ་མ། སྣང་བརྙན་ཡོངས།
Chinese Name	度母（本尊）（全像）
Origin	Tibet
Date Range	1700 – 1799
Lineage	Uncertain
Material	Ground Mineral Pigment on Cotton
Classification	Deity
Gender	Female
Appearance	Peaceful
Collection	Rubin Museum of Art

Green Tara Tibetan Thangka

This Green Tara thangka is handpainted on cotton canvas using Ground Mineral Pigment. This art is a collection of the Rubin Museum of Arts. Green Tara is Emerald green in color. She is peaceful and relaxed in appearance.

Green Tara extends the right hand across the knee in the mudra (gesture) of supreme generosity while holding the stem of a blue Utpala flower blossoming at the right ear. Her left hand is held to the heart in the mudra of blessing and holds the stem of an Utpala blossoming at the left ear. She is Adorned with a tiara of gold, jewels, and three small blue flowers.

She wears earrings, necklaces, bracelets, and flowing silk garments of various colors. Her right leg extended in a relaxed manner, resting on a small lotus flower, and the left leg drawn up. Green Tara is seated above a moon disc and lotus blossom surrounded by a blue-orange nimbus and bright red areola framed with red and white lotus flowers and dark green leaves.

She is adorned with gold and jewels in the form of a tiara with five gems, earrings, necklaces, bracelets, and the like. She wears various silks in a variety of colors, orange, yellow, violet, and red. Her right leg extended, resting on a small moon and lotus cushion, and on the left was drawn up. She sits in a relaxed posture on a moon disc and white lotus seat; surrounded by an orange nimbus and red areola.

Name	Green Tara
Tibetan Name	སྒྲོལ་མ། སྣང་བརྙན་ཡོངས།
Chinese Name	度母（本尊）（全像）
Origin	Tibet
Date Range	1700 – 1799
Lineage	Uncertain
Material	Ground Mineral Pigment on Cotton
Classification	Deity
Gender	Female
Appearance	Peaceful
Collection	Rubin Museum of Art

Green Tara Buddhist Art

This Green Tara thangka is handpainted on Ground Mineral Pigment, Fine Gold Line on Cotton. This art is a collection of the Rubin Museum of Arts. This is a pilgrim painting made in either Lhasa or Shigatse for the many Nepalese visitors on a religious pilgrimage.

Green Tara is peaceful in appearance. The size of this thangka is 58.42×39.37cm.

Name	Green Tara
Tibetan Name	སྒྲོལ་མ། སྣང་བརྙན་ཡོངས།
Chinese Name	度母（本尊）（全像）
Origin	Tibet
Date Range	1800 – 1899
Size	58.42×39.37cm (23×15.50in)
Lineage	Uncertain
Material	Ground Mineral Pigment, Fine Gold Line on Cotton
Classification	Deity
Gender	Female
Appearance	Peaceful
Collection	Rubin Museum of Art

Tibetan Green Tara Thangka

This Green Tara thangka is handpainted on Ground Mineral Pigment, Fine Gold Line on Cotton. This art is a collection of the Rubin Museum of Arts. Tara is beautiful and peaceful, green in color She has one face and two hands.

Her right hand is extended in the mudra of supreme generosity and the left is held at the heart in the mudra of blessing while holding the stem of a blue Utpala flower blossoming above the left shoulder. The hair is tied in a top-knot with some falling loose, adorned with a tiara of gold and jewels, earrings, necklaces, and bracelets She wears flowing silks in a variety of colors and a lower garment of rainbow hues tied with a green sash.

Name	Green Tara
Tibetan Name	སྒྲོལ་མ། སྣང་བརྙན་ཡོངས།
Chinese Name	度母（本尊）（全像）
Origin	Central Tibet
Date Range	1700 – 1799
Size	67.31×54.61cm (26.50×21.50in)
Material	Ground Mineral Pigment on Cotton
Classification	Deity
Gender	Female
Appearance	Peaceful
Collection	Rubin Museum of Art

Buddhist Green Tara Thangka Art

This Green Tara thangka is handpainted on Ground Mineral Pigment on Cotton. This art is a collection of the Rubin Museum of Arts. She is from Nyingma and Buddhist lineage. She is peaceful in appearence.

Name	Green Tara
Tibetan Name	སྒྲོལ་མ། སྣང་བརྙན་ཡོངས།
Chinese Name	度母（本尊）（全像）
Origin	Tibet
Date Range	1800 – 1899
Lineage	Nyingma and Buddhist
Material	Ground Mineral Pigment on Cotton
Classification	Deity
Gender	Female
Appearance	Peaceful
Collection	Rubin Museum of Art

Statue of Green Tara

Green Tara Statue

This statue is of Green Tara is from Tibet. She is peaceful in appearance. She is from a Buddhist lineage.

Name	Green Tara
Tibetan Name	སྒྲོལ་མ། སྣང་བརྙན་ཡོངས།
Chinese Name	度母（本尊）（全像）
Lineage	Buddhist
Origin	Tibet
Appearance	Peaceful
Classification	Deity
Gender	Female
Collection	Private

Green Tara Buddhist Statue

This statue is of Green Tara is from Tibet. Green Tara is from a Buddhist lineage. The material used to make this statue is Metal, Stone Inset: Turquoise. She is peaceful in appearance.

She is sitting on the lotus throne. This statue is from a private collection.

Name	Green Tara
Tibetan Name	སྒྲོལ་མ། སྣང་བརྙན་ཡོངས།
Chinese Name	度母（本尊）（全像）
Material	Metal, Stone Inset: Turquoise
Lineage	Buddhist
Origin	Tibet
Appearance	Peaceful
Classification	Deity
Gender	Female
Collection	Private

Green Tara Tibetan Statue

This statue is of Green Tara is from China. Green Tara is from a Buddhist lineage. She is peaceful in appearance.

She is sitting on the lotus throne. This statue is from private collection.

Name	Green Tara
Tibetan Name	སྒྲོལ་མ། སྣང་བརྙན་ཡོངས།
Chinese Name	度母（本尊）（全像）
Lineage	Buddhist
Origin	China
Appearance	Peaceful
Classification	Deity
Gender	Female
Collection	Private

Tibetan Green Tara Statue

This statue is of Green Tara is from China. Green Tara is from a Buddhist lineage. She is peaceful in appearance.

She is sitting on the lotus throne. This statue is from a private collection. The material used to make this statue is Metal, Mercuric Gild.

Name	Green Tara
Tibetan Name	སྒྲོལ་མ། སྣང་བརྙན་ཡོངས།
Chinese Name	度母（本尊）（全像）
Date Range	1400 – 1499
Lineage	Buddhist
Origin	China
Appearance	Peaceful
Material	Metal, Mercuric Gild
Classification	Deity
Gender	Female
Collection	Private

Buddhist Green Tara Statue

This statue is of Green Tara is from Tibet. Green Tara is from a Buddhist lineage. The material used to make this statue is Metal, Stone Inset: Turquoise. She is peaceful in appearance.

She is sitting on the lotus throne. This statue is from a private collection.

Name	Green Tara
Tibetan Name	སྒྲོལ་མ། སྣང་བརྙན་ཡོངས།
Chinese Name	度母（本尊）（全像）
Lineage	Buddhist
Origin	Tibet
Appearance	Peaceful
Classification	Deity
Gender	Female
Collection	Private

Tibetan Green Tara Statue Art

This statue is of Green Tara is from Tibet. Green Tara is from a Buddhist lineage. She is peaceful in appearance. This statue is from a private collection.

She is sitting on the lotus throne.

Name	Green Tara
Tibetan Name	སྒྲོལ་མ། སྣང་བརྙན་ཡོངས།
Chinese Name	度母（本尊）（全像）
Lineage	Buddhist
Origin	Tibet
Appearance	Peaceful
Classification	Deity
Gender	Female
Collection	Private

Buddhist Green Tara Statue Art

This statue is of Green Tara is from Tibet. Green Tara is from a Buddhist lineage. She is peaceful in appearance. This statue is from a private collection. The material used to make this statue is Metal, Stone Inset: Coral, Turquoise.

She is sitting on the lotus throne.

Name	Green Tara
Tibetan Name	སྒྲོལ་མ། སྣང་བརྙན་ཡོངས།
Chinese Name	度母（本尊）（全像）
Lineage	Buddhist
Origin	Tibet
Appearance	Peaceful
Classification	Deity
Material	Metal, Stone Inset: Coral, Turquoise
Gender	Female
Collection	Private